ERLI GRÜNZWEILPhotography and Art Directionbased in Viennacontact@erligruenzweil.cominstagram.com/erligruenzweil
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Serieses
2017–now
Inside for Gossamer
together with Susanna Hofer
2019
Jewellery for Die Presse Schaufenster
Portfolio for OrtnerSchinko
Assistance: Bettina Willnauer
New Office by Anna Zimmermann Model: Lino GasparitschAssistance: Bettina Willnauer
Beyond Meat for Chapter Magazine in collaboration with Marlene Mautner
Jugo Ürdens for The Gap
Assistance: Dejan Ivkovic
2018
Pink, White and Yellow Plastic Bag2017–18
Walde Seifen in collaboration with Susanna Hofer
Exhibitions 2019Dreaming Is Okay, Vienna Design Week, Vienna/AT
Propeller, Fotogalerie Wien, Vienna/AT81 Steps, Ausstellung in der Lindengasse 1, Vienna/AT
Realities, Forward Festival, Vienna/AT
Realities, MOVE.BG space, Sofia/BGR
Exhibitions 2018
Humble Arts Foundation, Online Group Show 59 Numerology
Studio Protest, Vienna Design Week, Vienna/ATRealities, Chengdu Creativity & Design Week, Chengdu/CHNRealities, What’s Next?, Vilnius/LTURealities, Burggasse98/Improper Walls, Vienna/ATF5, Shizzle, Vienna/AT
Dec 2019–Feb 2020Sueddeutsche Zeitung Magazin, Graphic Design, Munichsince 2016Applied Photography and Time-based Media at the University of Applied Arts Vienna
2014–2016Graphic Designer at Monopol Medien, Vienna
2012–2014College for Graphic Design, Linz
Interviews, Texts and Features
C41 Magazine, 2020
The Gap, Wortwechsel, 2019Die Presse Schaufenster, 2019
Der Standard, 2019
c/o vienna, 2019domus, 2019
Plain Magazine, 2019
The Visual Voices, 2018
Part ofFountain’s Edit
Publications
Dreaming Is Okay, self-published, 2019Der Standard ALBUM, 2019uppers & downers Magazine, 2019
Clients
Biorama, brut Vienna, Chapter Magazine, Gossamer Magazine, Emotion Magazine, Hutchison Drei, The Gap, moodley vienna, OrtnerSchinko, Standard Experimente, Walde Seifen
About
Grünzweil’s work lies at the intersection of observational and staged photography. He is questioning the medium itself through bringing it to its boundaries—the boundaries of lens-based and computer-generated pictures, static and moving images, fact and fiction, fine art and applied photography. The outcome are hybrids which seemingly show ordinary situations or random things, but through aesthetics, types of image production and content it goes deeper and addresses social, political and personal matters. By combining images in a new order and a new context, new substance can emerge. Through the surface more profound and inner content can be shown—the absent, the not pictured becomes the subject of these images, so the superficiality can be overcome.
