ERLI GRÜNZWEIL
Photography and Art Direction
based in Vienna
contact@erligruenzweil.com
instagram.com/erligruenzweil
:)
FAZ Quarterly asked me about the future after covid-19. During isolation I took this image and tried to stay positive and imagine a world I’m longing for. A world which will keep on turning even though a little bit slower and more cautious with a more kind, sustainable and conscious society.
Helping hand: Noah Brenner
2020
New Office by Anna Zimmermann
Model: Lino Gasparitsch
Assistance: Bettina Willnauer
2019
Walde Seifen in collaboration with Susanna Hofer
2019
Exhibitions 2019
Dreaming Is Okay, Vienna Design Week, Vienna/AT
Propeller, Fotogalerie Wien, Vienna/AT
81 Steps, Ausstellung in der Lindengasse 1, Vienna/AT
Realities, Forward Festival, Vienna/AT
Realities, MOVE.BG space, Sofia/BGR
Exhibitions 2018
Humble Arts Foundation, Online Group Show 59 Numerology
Studio Protest, Vienna Design Week, Vienna/AT
Realities, Chengdu Creativity & Design Week, Chengdu/CHN
Realities, What’s Next?, Vilnius/LTU
Realities, Burggasse98/Improper Walls, Vienna/AT
F5, Shizzle, Vienna/AT
Dec 2019–Feb 2020
Sueddeutsche Zeitung Magazin, Graphic Design, Munich
since 2016
Applied Photography and Time-based Media at the University of Applied Arts Vienna
2014–2016
Graphic Designer at Monopol Medien, Vienna
2012–2014
College for Graphic Design, Linz
Part of
Fountain’s Edit
Publications
Tippgemeinschaft 2020, 2020
DISZIPLIN, Pool Publishing, 2020
Dreaming Is Okay, self-published, 2019
Der Standard ALBUM, 2019
uppers & downers Magazine, 2019
Magazines
Biorama, Chapter, FAZ Quarterly, The Gap, Gossamer, Emotion, Das Magazin, Die Presse Schaufenster, Zeit Campus
Clients
brut Vienna, Hutchison Drei, moodley vienna, OrtnerSchinko, Standard Experimente, SZ Magazin Shop, Walde Seifen
ABOUT Erli Grünzweil (b. 1992) is based in Vienna. His work lies at the intersection of observational and staged photography. He is questioning the medium itself through bringing it to its boundaries—the boundaries of lens-based and computer-generated pictures, static and moving images, fact and fiction, fine art and applied photography. The outcome are hybrids which seemingly show ordinary situations or random things, but through aesthetics, types of image production and context it goes deeper and addresses social, political and personal matters.